I am stopped, quite politely, by a man who asks me to
accompany him into another room. I wouldn’t, only he
looks official you see, and I don’t wish to make a fuss.
In this other room—a small, white affair, with only one
large table and one window (mesh-glassed)—he informs me
that he’s going to search my luggage. I raise my eyebrows
and shrug politely. He snaps on a pair of surgical gloves
to begin the operation, then unzips my bag slowly. If
he was good looking, I might say he unzipped it seductively,
but he’s fortyish and balding. There’s another man in
the corner with a clipboard and a great deal of attitude,
waiting to take down the details.
It’s a small bag, my bag, about three times the size
of my head, sort of lumpy shaped and awkward. I’ve had
it for quite a while, and it’s never been searched yet.
The first man looks inside, cautiously, as if it might
contain an angry cat, then seeing that it doesn’t, takes
his giant sized tweezers and begins to unpack it. I’m
not keen on the tweezers; they make everything he picks
up look somehow distasteful.
“One camera,” he says slowly, dangling my poor Olympus
from its cord like a dead mouse, then laying it out on
the table. He looks at me, then over to the man in the
corner who is jotting fastidiously. “Olympus,” he adds.
I don’t like his tone as he says this.
“A very good
make,” I inform him, smiling tightly.
“One large sarong.” He does his best, but looks like
a magician pulling a string of handkerchiefs from his
sleeve. “Orange and blue.”
“Turquoise,” I correct him. He doesn’t reply.
“One… string.” I blush and look at a corner of the ceiling.
He holds it up to the light. “Soiled.”
“What?” I look back at him quickly. I could have sworn
I only packed clean.
“Fuchsia,”
he adds.
I don’t recognise it for a minute. It’s an old one.
I must have packed it by mistake.
“One pair
control briefs.”
“Control?” I see my black stomach crunchers raised like
a black flag to the window.
“Also soiled.”
I blush again and look at my shoes. I must have taken
the wrong bag… but I only have one bag.
“I’m terribly sorry gentlemen, I believe I’ve made some
mistake when packing. I only packed clean. And those…”
I glance at the black pants, now pitched on the table,
and wince. “…those are not mine.”
Both men look at me suspiciously. I look down at my
shoes.
“One small,
mechanical toy gun.”
I look up, and sure enough, there it is, suspended from
the tweezers by its guilty trigger. For a moment I am
relieved it’s not another pair of pants… but, I could
have sworn I lost it years ago. I’m sure my mother took
it away from me—I fired it when my sister was pointing
at the hammer—in Dornoch, 20 years ago…
“One small
piece of cardboard.”
I stare as
he places the brightly coloured fragment down on the table.
“One small
piece of cardboard,” he goes on, piece after piece.
As he rebuilds the postcard on the table before me, my
stomach sinks. Hollyhobby’s bonnet, face, dress, basket
of flowers are slowly reconstructed, an image of guilt.
My sister’s postcard. I cut it up when I was 7, and always
said I thought it was mine. I’m not even sure now if
that was true or not. I breathe deeply to try and control
my face. I think of the last time I saw my sister and
wonder why she’s chosen now to get back at me.
“One mouse,”
he says, and I look up sharply, “damp.”
It can’t be.
It flashes through my mind; cornering the mouse by the
edge of the bridge to get a closer look, the panic in
its eyes, the way it ran into mid air like a little cartoon,
then fell into the river.
“Mice can swim.” I feel my lips move.
“Take that down please Frank. The lady says that mice
can swim.”
“What?” He doesn’t answer me, but takes a firmer grip
on the tweezers and continues.
“Oh,” he says. He’s struggling with something. It’s
big and brown and doesn’t want to come out of the bag.
The zip is straining. For a moment I think it might be
a calf. Suddenly the zip gives, and I duck as he swings
it across the room over my head and slams it down in the
corner. I look at it, then back at the man.
“I definitely didn’t pack that,” I say. He raises his
eyebrows. There’s barely space for it in the room.
“One brown
corduroy, three seater sofa,” he says calmly.
I close my eyes, and my head fizzes. It comes back to
me. Brian’s sofa. How the hell… I always said that
burn wasn’t me, maybe he… I quickly try to hide the burn
mark by sitting on it.
“Don’t sit on that please ma’am. That’s evidence.”
“Evidence?” I stand up abruptly.
“One small
cigarette burn on the right arm.”
I hope Brian doesn’t find out. I hear a wet slop on
the table.
“One…” the man pauses. I look up. There’s one lying
crippled and thumping on the table, one hanging, dripping
red from the fierce grip of the man’s tweezers. “…two
broken hearts.”
I put my hand
to my mouth.
“Well, I certainly don’t remember packing those,” I say,
trying to look away but drawn to their movement. They
are like two fat, skinned fish, lurching and juddering
on the table. I expect some reply, but it doesn’t come.
The man is digging deep again. It must be almost empty
by now. Please, let it be empty.
“Can you give me a hand here Frank?”
I whine gently and look down at my shoes again. Out
of the corner of my eye, I can see them pulling something
out, unfolding it and standing it up.
“One Caucasian
male,” the man says, “in mid-20s… is that about right
miss?”
I look up. Andrew Manson. I said I’d call him 3 years
ago.
“Andrew!” I try to look thrilled rather than guilty.
“I’m so sorry I didn’t call, I…”
“Miss,” the man says louder, “mid-20s. Is that correct?”
“Em, yes,” I say, “Andrew?” He doesn’t
reply, stands like a statue, staring straight ahead.
I look back to the two broken hearts, the pants—the mouse
is gone, it’s seen me and jumped from the table—the gun,
the sofa. “I…”
“Ok miss,” the man says. ‘Frank’ tucks his pen back
into his top pocket. “I’m afraid we’re going to have
to hang on to all this.”
I raise my
eyebrows, then ask tentatively, “My bag?”
“Ah yes,”
he replies, zips it up, and hands it back to me, “and
don’t you worry, you can collect it all when you get back—hold
on two seconds, and I’ll give you a ticket.”