A Castro
Renga
We saw rain clouds over
Marin
We had planned to stay in
But felt new Fennel shoots on Castro Hill instead
Sitting on blankets,
snuggling
Against the cold watching fireworks
Everything is carnival
now. Go-Go dancers in the window,
A tuba playing Star Wars-sun does it
Day-glo nuns play parlor
games
Eager novices adore
"Oh, it's a study!
One must photograph."
"Do it now, Jean, I swear -
Sorry queens - all they have is publicity and here I go."
Caught on super-8, black
and white
Crowns of crystal condensation
So we have insured the
12 Davids,
A robe of St. Bartholomew's
But the bones - little fingers - lost, all lost.
Twisted into tiny knots
Clumps of hair form strange God's eyes
The medieval purse
Was not filled
With gum or crumbs
But kept a heart still
beating
Wet flesh bag to keep it warm
I cannot see much from
bed
But a stream of women back and forth
Wet towels hot go out, damp towels cold return
A steaming pile of sweat
mops
Discarded by workout drones
There I will lay down
my head and buckle my knees like a foal
I care so much to be sound
I am in love with sleep and round nose breaths
And rounded with a sleep,
she
Said my snoring sounds like rain
Freckles have fallen
on our hands in the night
Perfect snow
We are still and try our eyes
Squeeze lemon juice to
bleach me
White like bones, white like dead skin
I will be all in the
air tomorrow - desert night
So for you, buried along the lines
Find cans of tomatoes to drink and so cool your tongue
Dowsers follow ley lines
but
I feel lost without a map
You can feel topographical
maps
So oop! There I am on all fours
Palpating ant hills for the truth from the source
Counting the bumps on
my head
A blind masseuse tells my fortune
"You know all there
is to know about winter
There is - something - a cavernous structure on the bay
Something about a bicycle bell and the last days in a place."
Dry, crisp sounds in
the cold air
Not yet the wet sounds of spring
We dragged the mattress
under the Willow
Jumped up, pulled branches, skinned our hands, fell
That's when Momma let us know about lice
It's not like sleeping
on clouds
More like a rocky streambed
Have you ever heard a
thousand rocks
Scooped and dropped like Jacks by a wave?
I don't want to pick even a few stars out to make a crab or archer.
I'm a sad astronomer
My planets all turn into planes
My bicycle is a gangly
puppet
I am heavy on her and her bones sag
Still we tear down the hill calling that comet the last
Shooting like Roman candles
We expend ourselves for her
We three walk up the
empty road at dusk
A few bees left in the air
And barks
The sun sets with a soft
thud
Too tired to hang without help
"Pick your feet
up when you walk!
Confederate you ain't, though you sing and eat shoes.
Consider the Lilies, and one more for the Gipper, you, up!"
Make out like Tipper
and Al
Grow a beard and wear wise eyes.
Persimmon trees still
bagged at the roots lie in the drive
We watch the column grotesques flash as we shelter
"Oh, Father - what have we forgotten so long ago?"
I remember ripe fruit
A hedge maze of berry bushes
Shotzie straddled me,
and his Ramses shadow
Was the word so corners spoke
I had telepathy and the love of everything taller than me.
Hear me think then
I promise not to shout.
What is a renga?
Haikai no renga is a
style of linked poem that reached its height in the work of the
Japanese poet, Bashô (surname Matsuo, 1644-1694), and his
disciples.
A renga is a group of
haiku-like verses linked in any one of several special ways. It
is usually written by two or more poets who take turns writing the
verses.
In classical renga, 3-line
and 2-line verses are alternated, beginning with a 3-line verse
(a hokku, usually approximating 5-7-5 syllables) resembling haiku
and indicating a season. A second poet composes the following verse
(2 lines approximating 7-7), linking it by one of several methods
(not too obviously, please) with the first. The next verse (of 3
lines), composed by the first poet (in a 2-person renga) or by another
(in renga written by more than 2 poets), links with the second but
not with the first. And so on and so forth.
Most classical rengas
are at least 36 stanza's in length.
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